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Artist living and working in Espoo
Contact: emma.jaaskelainen@gmail.com
Selected exhibitions:
Paris+ Art Basel
‘La Cinquième Saison’ (‘The Fifth Season’)
curator: Annabelle Ténèze
Supported by FRAME Contemporary Art Finland
At Her Fingertips, 2023: Norwegian Rose marble, iron, chain, found stones:
90x200x70cm, 90x40x40cm, 95x45x45cm, 69x50x40cm, 60x50x70cm
Photos: Andrea Rossetti
Long, Long, Longing, Unfolding the Night
Turku Art Museum Studio, 15.9-12.11.2023
Curated by Annina Sirén
Exhibition is kindly supported by The Arts Promotion Centre Finland
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Uuuu, 2023: Finnsheep wool: 120cm x 150cm
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TuuTuu, 2023: iron, granite, mosquito net, hat: 1100cm x 200cm
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Night Light, 2023: marble, shell, pyrite, plastic, metal: 20cm x 10cm
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Photos: Paavo Lehtonen
Slo Mo Mother
Solo show in Vleeshal, Middelburg.
April 16–July 2, 2023
Curator: Roos Gortzak
The exhibition is kindly supported by FRAME, Arts Promotion Centre Finland, Finnish Cultural Foundation
https://vleeshal.nl/archive/slo-mo-mother
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Long Long Longing, Unfolding the Night, 2023:
An installation comprising of 9x marble nail clippings ca.20x10x1cm,
Egg: Marble, iron: 35x45cm.
Felt drawing: Finnsheepwool: 120x150cm.
Fireplace executed by the technical team of Vleeshal according to the artist’s drawing.
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90x200x70cm, 90x40x40cm, 95x45x45cm, 69x50x40cm, 60x50x70cm
Photos: Gunnar Meier
Performance afternoon 17.6.2023
https://vleeshal.nl/archive/performance-afternoon-slo-mo-mother
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Trumpet: Verneri Pohjola, percussions: Joonas Riippa,
voice: Emma Jääskeläinen
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Alien Mother: essay, text and reading: Even Minn
Photos: Adriënne van der Werf
At Her Fingertips, Young Artist of the year 2023 prize exhibition
https://www.tampereentaidemuseo.fi/en/exhibitions/the-young-artist-of-the-year-2022-emma-jaaskelainen-at-her-fingertips/
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Soppa, 2022: marble, guitar string, epoxy, wool, found Spectrolite egg, branches: 105x40x10cm
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Urn, 2023: Finnsheep wool: 25x25x40cm
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Dumrum, 2023: Finnsheep wool, glass, rust: 110cmx115x200cm
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Mother, 2022:Finnsheep wool, stockings, marble.
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Photos: Paavo Lehtonen
Come Back as a Flower, HAM
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https://www.hamhelsinki.fi/wp-content/uploads/2021/11/HAM_ComeBackasaFlower.pdf
Artists: Melanie Bonajo, Carola Grahn, Eva Gyldén, Evan Ifekoya, Emma Jääskeläinen, Catharina Kajander, Essi Kausalainen, Anne Koskinen, Ana Mendieta and Elina Vainio.
The exhibition is curated by Elina Suoyrjö.
Running up that hill, PSM gallery Berlin 21.09. – 23.10.2021
Photos: Joe Clark, courtesy of PSM
Supported by FRAME, The Finnish Cultural Foundation, The Arts Promotion Centre Finland, Kone Foundation.
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Running Up That Hill..soon: Finnsheep wool, brass: 75 x 55 x 30 cm
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Heavy thinker, 2021: Lappia Green marble, Finnsheep wool dyed with coffee.
60 x 80 x 75 cm
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Chin up, 2021: Finnsheep wool, bronze, found murano glass drop:
230 x 156 x 40 cm
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K60, Wilhelm Hallen, Berlin, 2021
Participating galleries: Alexander Levy, ChertLüdde, HUA international, Klemm’s, KOW, Kraupa Tuskany Zeidler, Plan B, PSM
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Repose, 2021: Norwegian rose marble, Travertine Noce, Finnsheep wool: 105cm 160cm 120cm
Photo: Joe Clark, courtesy of PSM
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Photo: Trevor Good, courtesy of PSM
EMERGING group show, Galerie Anhava
with Emma Luukkala, Olle Norås, Joel Slotte
Photos: Jussi Tiainen courtesy of Galerie Anhava
supported by The Arts Promotion Centre Finland, The Finnish Cultural Foundation.
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155cm x 30cm x 10cm
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Roll, 2021: Finnsheep wool,20cm x 20cm x 15cm
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80cm x 95cm x 60cm
Put Put: A public commission by Helsinki Art Museum in Herttoniemi, Helsinki
photo: HAM, Hanna Kukorelli
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Kiasma Commission by Kordelin 2.6.2020-10.1.2021 Kiasma Museum of Contemporary Art, Helsinki, Finland
Curator: Satu Oksanen
Emma Jääskeläinen’s artwork Proper Omelette is a sculpture family whose parts spread out through Kiasma’s lobby and the 2nd-floor balcony. The work consists of two stone sculptures, a textile piece, and a bronze sculpture.
The starting point for the sculptures is the human body and the experiences embedded in its memory. Physical tiredness, sweating, and aches are also part of a sculptor’s work
Proper Omelette
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Eggs-files,2020: Bronze, collected stone eggs: 170cmx30cmx20cm.
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Protector and Black Pepper, 2020: Travertine Noce, a found stone, Finnsheep wool: 270cmx110cmx90cm
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Heavy pick, 2020: Norwegian Rose marble, found stones, collected stone eggs: 120cmx130cmx110cm
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Photos: Finnish National Gallery, Petri Virtanen
Rauma Triennale Balticum, 2019: Group exhibition curated by Anna Vihma & Anna-Kaisa Koski.
NABIL BOUTROS (EG/FR), EMMA JÄÄSKELÄINEN, HERTTA KIISKI, MAIJA LUUTONEN, PAULIEN OLTHETEN (NL), SARI PALOSAARI, MARTHA ROSLER (US), JAAN TOOMIK (EE) ja ELINA VAINIO.
https://www.raumatriennale.fi
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Bob, 2017: Rosa Asiago stone: 40x30x18cm
Photo: Maija Toivanen, HAM
Tizzicato: Solo show, Turku Old Townhouse gallery, 2018.
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Sudoku, 2018: Marble: 30x50x55cm.
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18cm x42cm x18cm
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6cm x12cm.
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photo: Pauli Talpola
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6cm x 11cmx 14cm.
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Night call (at the back)2017:aluminium, velvet: 4cm x4cm x300cm.
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Memory of stone 2016: Acrylic: 100cm x120cm. 2016
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3 min. video loop on ipad: We ran out of gas. A miniature sculpture traveling on a table in a train.
Photos: Maija Toivanen, HAM
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Photo: Petri Summanen
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Grand meré, 2017: Marble, guilded yogamat: 50x80x70cm.
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Where did you go?, 2016: Acrylic, sofa: 100x120x95cm.
Balloon, string, wallplaster, latex, pigment.
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Läps!, 2015: one hour video loop. I invited people in a room to touch the sculpture. People chose how to interact with the object and for how long.
IMG_1114 from Emma Jääskeläinen on Vimeo.
Cheeks, 2016 Flow festival. The sculpture reacted to the surrounding sounds and music played in the space.
Club Guggenheim, 2015 Helsinki. A conversation piece.
Head and Shoulders, 2018: group exhibition, Exhibition Laboratory, Helsinki. Artists: Dylan Ray Arnold & Ocèane Bruel, Lasse Juuti & Emma Jääskeläinen, Iiris Kaarlehto & Inka Kynkäänniemi
Works of H&S exhibition in collaboration with Lasse Juuti
Head & Shoulders brings together works from three collaborative practices. The exhibition is an invitation to the shared nature of living and leaving. We are at home, at your place, the waiting room, the port or beyond, saturated with stories, kind of ruins.
Couches are common words. We can store our affects in and share the cloud above. While we still have hair, let’s use our hands. Head & Shoulders nourishes, takes care, heals and irritates. Working with each other encourages us to extend our intimacies towards a common ground, through frictions and excitements. A collective vision is a precarious moving composition. In Exhibition Laboratory it becomes space, forms, materials and images.
Pictures of the show: http://tzvetnik.online/portfolio_page/head-shoulders-at-exhibition-laboratory/